Remember way back when I mentioned I might start a podcast? I can’t remember what I thought I’d call it, but a new title comes to mind as I started day # 3 of piano reawakening. “Warts and All”

We are so used to seeing the end result of endless practice. That makes sitting in front or with your art impossible. “I’ll never be that good. Why try?” So many negative things we tell ourselves, and because of that, we will never know what enjoyment we might bring ourselves or others while waiting for perfection. Follow your passions. God, muses, whatever you may call it, gets the credit for your curiosity drive. Do we dare let our defeatism lead the way? So I’m taking you on the ride. I took piano lessons since I was 5. I rebelled my way out around 16. After marriage at 21, I had to wait a while to get my old piano. My second son was teething when I got my piano back. I was rusty but could still enjoy the below pieces and much more, nearly totally memorized. I would play so hyperfocused that that piano had teething marks as the poor baby begged for my attention. So, I had to keep the practice to light bits.

When we moved to my first desert, Antelope Valley, the house was so small I had to keep the piano in a chicken coop. It was an old upright grand. It looked quite at home there. I would get up and go out in my heavy coat and gloves, scarf, and cap. As I did the scales and warm-ups, layers were released. I was starting to fall in love with my kidnapper. Stockholm Syndrome? There was a lot of angst from the psychological damage that practicing piano imposed on me.

A few decades later, after letting myself enjoy other music, singing, playing the recorder, and playing the ukulele, I felt like I wanted to try to bring it all back. Three days ago, I figured out a time of the day I could schedule my piano time. My first day was a lot of cleaning my baby. We get a lot of dust out here. And the darned mice. Lots of cleaning. But hey, that old piano in the chicken coop was pretty bad, too. And I love this piano. How I got it is another story. So cleaning it was, is now, a work of love. I did start playing that day for a few minutes. It went well. I kept it to 15 minutes. For some reason, yesterday’s practice made me want to cry. Today I decided to start recording myself and sharing the mess and progress with you. You are not required to listen to these as if they were elevator music. It is merely how it is when you try.

Solfeggietto by Carl Philipp Emanuel Bach
Sarabande and Variations from Suite no. 4 in D minor George Frideric Handel (1685-1759)
Prelude No. 1 from Well-tempered Clavichord by J. S. Bach
Six Variations by L. van Beethoven
I did play this a bit, but I want to start fresh on it. I love this piece.

Enough of music. I’ll share the uke and recorder progress later.

I’m nearly halfway through the Dock diamond painting. The light behind shows the need to use a straightener. Wow!
I got a few more rows. I love the watermelon socks! MINE!
I thought I was on the decreasing part of the heel when I realized that these won’t fit my son; they are almost too small for me. Mismeasuring happens to me sometimes. I can measure my own feet, but other feet are in other cities! So, it’s time to frog back to the beginning of the heel. Still, I love this yarn so much that I ordered more. I love my own slippers from this peacock yarn.
In the next row, I will begin the heel.

Passion is imperfect.